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13 December 2007
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Vol. 29 No. 24
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| Thursday 6 December at the British Museum, 6.30 p.m. |
The latest collaboration between the London Review of Books and the British Museum will be a public discussion to go along with the museum’s current exhibition The First Emperor: China’s Terracotta Army.
There has been much talk of late about the ‘rise’ of China, as if the
country were only now, for the first time, coming to political and
economic prominence. But it could be argued that for much of recorded
history, China was ahead of Europe in economic, social, cultural and
military domains. Our panel will discuss China’s historical
vicissitudes and its prospects for the 21st century. |
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| Speakers will include John Darwin, W.J.F. Jenner and Joanna Waley-Cohen |
Price £5 · Book exhibition and events tickets online or through the Box Office 10am-4.45 p.m. daily
Telephone +44 (0)20 7323 8181 · Email boxoffice@thebritishmuseum.ac.uk |
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- Don’t Kiss Me edited by Louise Downie
- Two Lives by Janet Malcolm
First, a somewhat spittle-laden squawk: how one positively slavers for a good biography of the astonishing French artist known as Claude Cahun (1894-1954). Mention her in conversation and you are likely to draw a puzzled ‘Claude who?’ even from otherwise predatory culture vultures. In my
own case
– it’s true – certain vile French diphthongs may be part of the problem: the phonetic distinctions between Cahun, Caen, Caïn, Cannes, Cohn, canne, cane, cagne, camp, cône and con remain, sadly, a perpetual trial. Yet it’s also undeniable: though one of the most extraordinary personalities associated with both the French Surrealist movement and the Resistance, Cahun is still scarcely known to an English-speaking public. Read more
The fatal bullet had been fired at close range. The trap had been carefully laid, but as is the way in Pakistan, the crudeness of the operation – false entries in police logbooks, lost evidence, witnesses arrested and intimidated, the provincial PPP governor (regarded as untrustworthy) dispatched to a non-event in Egypt, a policeman killed who they feared might talk – made it obvious that the decision to execute the prime minister?s brother had been taken at a very high level. Read more
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Divisadero by Michael Ondaatje
On the Petaluma Road, in the former Gold Rush territory of Northern California, a man inherits a farm, marries a miner’s daughter called Lydia Mendez and adopts a four-year-old boy from a neighbouring farm, whose parents have been murdered by a farm hand. His wife dies giving birth to their daughter, Anna. He leaves the hospital with two girls: the second, Claire, is the daughter of another mother who has died in childbirth. He raises all three children as his own and now and then, Anna later remembers, embraces them ‘as any father would’. The boy, Coop, however, begins to move away in adolescence, restoring an old cabin nearby that belonged to his adoptive grandfather, and dreaming of the gold that might still be found in the riverbeds. He becomes ever more distant, and more fascinating, to Claire and Anna. Read more
‘Nothing Dr Bew writes is without interest.’ The wearily Olympian judgment was delivered by a distinctly peeved F.S.L. Lyons, doyen of historians of modern Ireland, when faced 27 years ago with a short life of Charles Stewart Parnell which took implicit but cheeky issue with his own magnum opus on the Chief. The young Bew – Belfast-born and a graduate of People’s Democracy marches as well as of the Cambridge history faculty – had already published a radical marxisant version of the 1879-82 Irish Land War, stressing the only partly suppressed war of interests between large and small tenants as much as the struggle against the landlord oppressor, and casting a cold eye on the cloak of unity that nationalist historiography tried to throw over the enterprise. He would go on to write critiques both of the modern Irish state in the Sean Lemass era and of power relations in Northern Ireland (in collaboration with other figures from Northern Ireland&rsqu
o;s
leftist intelligentsia), to redefine the attempted politics of reconciliation in the Edwardian era and to continue the story of land struggle in the years just before World War One. Read more
Also in this issue
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American Gangster directed by Ridley Scott
Short Cuts:
Andrew O’Hagan panics
Subscribers can also read:
Terry Castle: Claude & Marcel, Gertrude & Alice
Frank Kermode: The Literature of Old Age
William Feaver: Edward Burra
Roger Parker: Unsung Operas
Soledad Fox on Luis de Góngora
Peter Campbell: Joan Eardley
Thomas Keymer on the Unspeakable Edmund Curll
Tom Nairn on the Australian Elections
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