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The New Moon
VOLUME 5, NO. 5 | October 11, 2007

What's New

The Alliance Convenes Bay Area Artists

The Alliance Convenes Bay Area Artists

First Row: Sherwood Chen (Alliance for California Traditional Arts), Charya Burt, Amy Kitchener (Alliance for California Traditional Arts), Sabrina Hou,
Suzy Thompson
(Berkeley Old Time Music Convention)
Second Row: Sam Edwards (Friends of Negro Spirituals), Charya Burt’s mother, Kelly Anderson (BrasArte), Colleen Tiffenson (Mas Makers), Deb Clearwaters (Asian Art Museum), Lily Kharrazi (Alliance for California Traditional Arts), Danny Kalanduyan,
Mythili Kumar (Abhinaya Dance Company of San Jose)
Last Row: Lyvonne Chrisman (Friends of Negro Spirituals, Sam Edwards’ daughter, Melody Takata, Stephen Tiffenson (Mas Makers), John Daley (Croatian American Cultural Center).
Photo: Frances Philips

Artists and community organizers convened for the annual Bay Area gathering of the Alliance for California Traditional Arts’ grantees on September 30, 2007, at our San Francisco offices in the Presidio. The afternoon began with each attendee sharing experiences and realizations about the Living Cultures Grant Program projects and Apprenticeships that for some artists were either underway or had just recently been completed. The opportunity to share one’s successes and frustrations gave way to lots of head nodding in recognition and a sense of a mutual support network, even though many people around the table were meeting each other for the very first time.

One fertile topic discussed around the table addressed traditional artists as agents of social change. For each participant this theme resonated in different ways. Melody Takata spoke about the participation of her Taiko group in the recent protests against the takeover of San Francisco’s Japantown by investment giants to underscore their concern for the one of the last Japanese historical neighborhoods in California. Friends of Negro Spirituals, co-founded by Sam Edwards and Lyvonne Chrisman, are working to preserve the oral histories of local Negro spiritual singers because they “impart value and linkages with our ancestors who gave us these songs during slavery . . . We want to make sure that connection in our community is not lost.” John Daley of the Croatian American Cultural Center discussed traditional music as a common binding factor in Croatia, and as a common denominator at the Center. He explained that participation in the cultural festivals at the center “helps make everyone more tolerant to other religions and political views.” Colleen Tiffenson of Mas Makers Massive, an organization dedicated to the carnival arts of Trinidad and Tobago, explained how their musical heritage is inherently political. “Calypso is an instrument of social change where the songs send a message – you can tell the events and political commentary through a song about AIDS, or sexuality . . . It provides a strong message for change because it is easily learned; children can sing the Calypso.” Suzy Thompson of Berkeley Old Time Music Convention completed the circle by reflecting, “We create social change by building community; people all over the U.S. come to our festival, one even came from Japan. A lot of people have romantic stereotypes about Appalachian singers and musicians – and coming together helps to humanize people to each other. That’s how social change starts – what was seen as the ‘other’ is humanized.”

Read more about this recent gathering on the Alliance’s website.

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California Traditional Artists Receive New Grants from Fund for Folk Culture and Center for Cultural Innovation

The Alliance for California Traditional Arts would like to congratulate the following California traditional artists on their recent receipt of grants from the Fund for Folk Culture and the Center for Cultural Innovation.

Fund for Folk Culture’s Artist Support Program

The Fund for Folk Culture awarded 26 grants to traditional artists throughout the U.S through its Artists Support Program, which provides support to individual folk and traditional artists to pursue opportunities that will help them grow artistically and professionally, to better connect with their cultural communities, or to develop new audiences for their work. The following seven California traditional artists were among the grantees:

  • Román Carrillo, Oakland, Puerto Rican bomba music and dance
  • Danongan Kalanduyan, South San Francisco, Pilipino kulintang music
  • Eugene Rodriguez, San Pablo, Mexican folk music
  • Herminia Albarrán Romero, San Francisco, Mexican papel-picado
  • John Santos, Oakland, Afro-Cuban music
  • Ernest Siva (Serrano/Cahuilla), Banning, Native American flute songs and oral tradition
  • Vishnu Tattva Das, Mill Valley, North Indian Odissi dance

Read more about the Fund for Fulk Culture grantees on the Alliance's website.

Center for Cultural Innovation’s Investing in Artists

The Center for Cultural Innovation awarded 27 grants to individual artists through its Investing in Artists program, which is designed to enhance the working lives and creative environment for California artists by funding tools and market strategies that will allow them to create their best work more consistently, and distribute that work more broadly to new audiences. The following 5 traditional artists were among the grantees:

  • Kompiang Metri-Davies, Richmond, Balinese dance and gamelan music
  • Charya Burt, Windsor, Cambodian classical dance
  • Chitresh Das, San Francisco, North Indian Kathak dance
  • Juan Morales, Wasco, Mexican mariachi music
  • Wang Wei, Oakland, traditional Chinese percussion

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Three California Artists Receive Nation's Highest Honor in Traditional Arts

NEA National Heritage Fellow Violet de Cristoforo

NEA Chairman Dana Goia, NEA National Heritage Fellow Violet de Cristoforo, and
U.S. Representative Sam Farr.

NEa National Heritage Fellow Agustin Lira

NEA Chairman Dana Goia, NEA National Heritage Fellow Agustin Lira, and U.S. Representative Jim Costa.

NEA National Heritage Fellow Julia Parker

NEA National Heritage Fellow Julia Parker and
NEA Chairman Dana Goia.

All Photos: Tom Pich

On September 18, 2007, National Endowment for the Arts (NEA) Chairman Dana Goia presented twelve NEA National Heritage Fellowships in a ceremony on Capital Hill in Washington D.C.  Three California artists – Haiku poet and historian Violet de Cristoforo, Salinas; Chicano singer, musician, and composer Agustin Lira, Fresno; and Pomo basketweaver Julia Parker, Midpines – were among this year’s honorees.  The fellowship is the nation's highest honor in the folk and traditional arts.

To read more about these and other 2007 National Heritage Fellows, please visit the NEA’s website.

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Funding

Alliance for California Traditional Arts' Traditional Arts Development Program

Deadline: Ongoing

ACTA’s Traditional Arts Development Program makes contracts up to $1,500 to support consultancies, mentorships, and travel opportunities that foster a new level of growth for individual folk & traditional artists and organizations engaged in this field in California. Requested services may be focused on organizational, program, and/or artistic development goals. Individual artists and cultural practitioners, as well as organizations, whether incorporated or not, may apply.

A sampling of past contracts include:

Artistic Mentorships

Gen Taiko (San Francisco), an organization dedicated to promoting, preserving and presenting Japanese traditional arts including taiko (traditional Japanese drumming), traditional folk dance, and folk song forms. Its artistic director, Melody Takata, was trained by National Heritage Fellow Madame Fujima Kansuma to learn the Nihon Buyo (Japanese classical) dance called Kojo No Tsuki (Moonlit Castle Ruins). Ms. Takata taught the dance to four of her students and performed it at Gen Taiko’s 10th Anniversary Concert in November 2005.

Organizational Consultancies:

Kwashi Amevuvor (Los Angeles), a master drummer from Ghana, West Africa, worked with consultant Janet P***t, who assisted him with marketing and web design to develop professional promotional materials to publicize the work of the artist and the traditional cultural arts of Ghana. In addition, Ms. P***t’s consultancy supported Mr. Amevuvor’s efforts in organizing a cultural study tour of Ghana.

Travel Opportunities

The Eszterlánc Hungarian Folk Ensemble (Foster City) traveled to Southern California to perform for an audience of over two thousand at the annual Magyar Sajtónap (Hungarian Press Day) hosted by the newspaper California Hungarians. At this event Eszterlanc dancers had the opportunity to perform with members of the Karpatok Folk Ensemble of Southern California, which is led by Istvan Szabo.

Requests for organizational consultancies, artistic mentoring, and travel support may be submitted to ACTA at any time.  Download the application and application instructions from ACTA’s website or call (559) 237-9812 to request a copy be mailed to you.

ACTA’s Traditional Arts Development Program is supported by grants from the California Arts Council, the Walter and Elise Haas Fund, and the National Endowment for the Arts.

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The Guitar Center Music Foundation

Deadline: Ongoing

The Guitar Center Music Foundation’s mission is to aid nonprofit music programs across America that offer music instruction so that more people can experience the joys of making music.

The Guitar Center Music Foundation accepts grant applications throughout the year from 501(c)(3) organizations that offer music instruction programs to participants of any age. The applicant program must successfully enhance the state of music education in the United States. The Grant Committee reviews all applications three times yearly, and grant awards range from $500 to $5,000.

For more information visit the Guitar Center Music Foundation’s website.

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Elaine Weissman L.A. Treasures Award

Deadline: Monthly
Restricted to Los Angeles County

The California Traditional Music Society (CTMS) and the City of Los Angeles Department of Cultural Affairs (DCA) have announced the Elaine Weissman L.A. Treasures Awards 2007-2008 deadlines.  This program supports folk and traditional performing and visual artists with $1,000 in funds for two public performances, workshops or exhibits - one planned by the award recipient, another chosen by CTMS and DCA.

The Awards are named after Elaine Weissman, founder of CTMS and great promoter and supporter of folk and traditional arts, who passed away last year.

An average of three L.A. Treasures Awards are given each month. Application deadlines are the first of each month from November 2007 through April 2008. Applications must arrive in the CTMS office no later than these dates.

For more information, including guidelines and application forms, visit the California Traditional Music Society's website. If you would like a hard copy of the application sent to you, please contact Lisa Richardson at (818) 817-0094.

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San Francisco Arts Commission
Cultural Equity Grants – Level One

Deadline: October 15, 2007
Restricted to San Francisco

Cultural Equity Grants (CEG) to support the development, sustainability and growth of San Francisco arts organizations that are deeply rooted in, and able to express the experiences of, historically underserved communities, such as African American, Asian American, Latino/a, Native American, Pacific Islander, Disabled, Lesbian/ Gay/ Bisexual/ Transgendered and Women.

CEG – Level One makes grants of up to $25,000 to support organizational development initiatives for a period of one year.

For more information, including guidelines and application forms, visit the San Francisco Arts Commission’s website.

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The Durfee Foundation
Artists' Resource for Completion

Deadline: November 6, 2007
Restricted to Los Angeles County

The ARC (Artists' Resource for Completion) grants provide rapid, short-term assistance to individual artists in Los Angeles County who wish to enhance work for a specific, imminent opportunity that may significantly benefit their careers. Artists in any discipline are eligible to apply. The applicant must already have secured an invitation from an established arts organization to present the proposed work. The work must be scheduled for presentation within six months of the application deadline.

For more information, including guidelines and application forms, visit the Durfee Foundation’s website.

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American Composers Forum – Common Ground
First Nations Composer Initiative

Deadline: January 31, 2008

The First Nations Composer Initiative, a program of the American Composers Forum, is dedicated to serving the needs of American Indian/Alaska Native/First Nations/Indigenous makers of new music throughout Indian Country. The initiative's new granting program, Common Ground, will support activities that boost Indigenous creative musicians, such as commissions, residencies, performance and production, travel/study, and outreach. Common Ground is funded by the Ford Foundation's IllumiNation program.

Common Ground is open to Indigenous makers of new music: composers, performers, groups, sound artists, songwriters, etc. Native Artists must be a documented affiliate of a United States and/or Canadian Tribe/Indigenous Community and committed to building the strength of Native communities by sharing their skills and talents with others. Full-time students may not apply unless coursework is completed (ABD/thesis status). The program seeks to award grants to varied artists from the many genres of music represented in Indian Country, and from diverse Indigenous cultures.

Individual awards will range from $500 to $7,500. Grants are designed to give an immediate financial boost to composers, performers, and other makers of new music at a time when this help would have a significant career-enhancing effect.

For more information, visit the Composers Forum’s website.

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Opportunities & Resources

22nd Annual California Indian Conference & Gathering

Friday, October 26, 2007
Saturday, October 27, 2007
University of California, Davis

Hosted by the UC Davis Department of Native American Studies. For more information, including a call for papes and updated schedules of events and sessions, visit the conference website.

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Online Training Courses to Master Proposal Writing

The Foundation Center hosts several online training courses in proposal writing. The Statement of Need helps novice or inexperienced grantseekers master a critical component of proposal writing – preparing a statement of need. The Project Description is an in-depth look into the preparation and writing of the project description section of a proposal. The Budget demystifies the preparation of the project budget included in funding proposals. The Comprehensive Course is a thorough, step-by-step guide to preparing an effective proposal for foundation support, covering every section of the proposal. The courses include interactive exercises and assignments, case studies, a final exam, and a printable certificate of completion. Lessons can be taken at any pace, and can be reviewed often. For more information visit the Foundation Center’s website.

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FEATURES

What's New

Funding

Events

Opportunities & Resources

ABOUT ACTA

The Alliance for California Traditional Arts strives to "ensure California's future holds California's past" by providing programs and services to support the state's diverse living cultural heritage. The Alliance cultivates the growth of traditional arts and culture through Stewardship, Services to Artists, and Connection-Making.

Support ACTA

CONTACT ACTA

Website:
http://www.actaonline.org

Staff:
Amy Kitchener, Executive
Director
akitch@actaonline.org
559.237.9813

Sherwood Chen, Associate Director
sherwood@actaonline.org
415.561.1562

Lily Kharrazi, Living Cultures Grants Program Manager
lilyk@actaonline.org
415.561-7893

Suzanne Hildebrand, Administrative Coordinator
The New Moon Editor stoler@actaonline.org
559.237.9812

BOARD OF DIRECTORS

Robert Arroyo, V.P. of Finance & Administration
Retired Instructor of Political Science & Chicano/Latino Studies, Fresno City College;
Retired Administrator, Fresno City College
Kingsburg, CA

Melanie Beene
Executive Director, Community Initiative Funds
San Francisco Foundation
San Francisco, CA

Jo Farb Hernandez, Secretary
Director, Natalie and James Thompson Art Gallery, School of Art and Design, San Jose State University
Principal, Curatorial and Museum Management Services
Watsonville, CA

Joel Jacinto,
Executive Director, Search to Involve Pilipino Americans
Los Angeles, CA

Sojin Kim, Ph.D.
Curator, Japanese American National Museum
Los Angeles, CA

Amy Kitchener (ex officio)
Executive Director, ACTA
Fresno, CA

Frank LaPena
Professor Emeritus, American Indian Studies, CSU Sacramento;
Traditional Maidu dance master; Visual Visual Artist
Sacramento, CA

Malcolm Margolin
Founder and Publisher, Heyday Books
Executive Director, Heyday Institute
Berkeley , CA

Libby Maynard
Co-founder and Executive Director, Ink People Center for the Arts
Eureka, CA 

Chike Nwoffiah, V.P. of External Development
Executive Director, Oriki Theatre
Mountain View, CA

Peter Pennekamp, Executive Director
Humboldt Area Foundation
Bayside, CA

Charlie Seemann, Board President
Executive Director, Western Folklife Center
Elko, NV

Daniel Sheehy, Ph.D.
V.P. of Governance
CEO, Smithsonian Folkways Recordings
Washington, D.C.

Deborah Wong, Ph.D.
Professor of Music
University of California, Riverside

Honorary

Bess Lomax Hawes
Retired Former Director, Folk & Traditional Arts Program, National Endowment for the Arts
Woodland Hills, CA

FUNDERS

California Arts Council

National Endowment for the Arts

The Fund for Folk Culture

The James Irvine Foundation

Walter & Elise Haas Fund

William and Flora Hewlett Foundation

California End

The San Francisco Foundation

EVENTS

Walking on the Same Path

Landscaping America: Beyond the Japanese Garden

Evolution of the ‘Ukulele: The Story of Hawaii’s Jumping Flea

Ancient Roots/Urban Journeys: Expressions for Dias de los Muertos

Kumeyaay: Indigenous People of Southern California

5th Annual Firecracker Festival

A Taste of Folk Music: A Free Folk & Bluegrass Music Festival

Bunraku: The National Puppet Theatre of Japan

Central Valley Dance Conference

LIKHA 15th Anniversary Show and Expo

Mid-Autumn Festival

Memories of Oakland Chinatown

Un Zaptateado Chicano

Los Cenzontles

Traditional Kathak Solo by Farah Yasmeen Shaikh

Honoring the Memories: Dia de los Muertos Fruitvale Festival

Day of the Dead San Francisco

The 13th Annual California Indian Storytelling Festival

Become a Licensed Art Lover

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Proceeds from the plate sales will benefit the California Arts Council (CAC).

To subscribe to the weekly CAC Update, please visit their website.

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