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The oldest but certainly not the fogiest of our top production companies turns the big 4-0 this year while remaining one of the industry's strongest, most creative and well-balanced players. The shop's leaders Ridley and Tony reflect on what they've done to get this far, and we revisit some of the company's finest production moments, in words and pictures.
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Ridley and Tony Scott reflect on RSA, commercials, features, painting, reviews and more.
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The creative brand identity of Jones starts with founder and CEO Peter van Stolk. From the very beginning, whether it was distribution in unconventional places like snowboard shops and tattoo parlors to including the consumer in the brand's imaging before user-generated was ever uttered as an adman's catchphrase, van Stolk has fostered and grown the Jones image to embody its tagline, "Run with the little guy." We spoke to van Stolk about his decision to bring an ad agency into the fold, how he thinks this might affect the brand's coveted "little guy" status and more.
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In November, once again we'll be featuring our special report on Directors to Watch. We're looking for fresh directing talentthose aspiring to get into commercials and those who are already in the game, but who've been at it for three years or fewer. We're also planning to highlight some international talents who already may have solid careers in other markets, but are looking to break into the U.S. advertising scene.
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Agency: T.A.G.
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Agency: Cutwater
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Agency: TBWA/Chiat/Day, Los Angeles
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Agency: BBDO, New York
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Agency: Lowe Worldwide
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Agency: Fallon, London
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Agency: Ogilvy & Mather, New York
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Agency: Goodby, Silverstein & Partners
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Agency: TBWA/Chiat/Day, Los Angeles
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Agency: Wieden + Kennedy, Portland
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Martin Granger brings life to old suits. Are you a body half empty or body half full type of person? Here's the trailer for the No Spot's Best Overall and Best Director winner.
That explains the harpoon in my wallet. Congratulations to the winner of Best Brand Film at our 2007 No Spot Awards. He'll tumble for ya. Congratulations to editor Marcelo Moraes, whose work was awarded Best Editing at No Spot film 2007. Follow up close. |
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