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The New Moon
VOLUME 5, NO. 4 | September 11, 2007

What's New

Camp Fareta 2007 and an Apprenticeship in Guinean Dance

Joti Singh

Camp Fareta participant and current apprentice in ACTA’s Apprenticeship Program Joti Singh.

Photo courtesy of Joti Singh

Editor’s Note: Joti Singh, a current participant in ACTA’s Apprenticeship Program with master dancer Alseny Soumah, made time this summer to attend part of Camp Fareta 2007, held in Dunlap, California, in July.  (Camp Fareta was supported in part by ACTA’s Living Cultures Grants Program.)  Joti reflects on her experiences there as an extension of and complement to her apprenticeship this year with Soumah.

For enthusiasts of West African dance, the second annual Camp Fareta, held at Camp Hye Sierra nestled in the Sierra Nevada Mountains, and founded by New York-based Guinean dance master Youssouf Koumbassa, is the ultimate adventure.  For seven days, nineteen of the most talented U.S.-based artists from Guinea, Senegal, and Mali gathered in an idyllic setting not far from Yosemite National Park to instruct students in dance and drum.

Fareta means “City of Dance” in the Susu and Baga languages of Guinea.  This is certainly an accurate name for the camp.  Because of the camp format and the isolated location, the activities are based solely on practicing and sharing the dances and rhythms of West Africa.  Debbie Steingesser of San Francisco describes, “The service bars on my cell phone decreased as I drove up the mountain leading towards Camp Fareta.  When I arrived at my final destination, 4,000 feet above reality in a pasture of redwoods, my spirit perked up as my cell phone died.  I was free from the countless distractions of dance classes in the city.  Traffic, cell phone ringers, BART delays, and evening work meetings dissolved into distant memories.  My mind grew wide open in anticipation of the powerful, uninterrupted experience ahead.”  Camp Fareta provides an intensive environment, while effacing the mundane distractions we normally face in the places where we live.

A typical day at Camp Fareta begins with breakfast.  After breakfast, there are two drum classes—one for beginners and one for advanced students.  My first day at camp I heft a sanban to the lesson.  A sanban is a two-headed drum—one side is played with a stick; the drummer plays a cowbell with the other hand.  Oakland-resident Amadou Camara, former drummer for Ballet Djoliba, one of Guinea’s national dance companies, gives the lesson.  He is patient, kind and informative.  Although I am a dancer, my teachers often express the importance of learning to drum.  Each rhythm is distinct from the next and has its own steps.  A dancer must truly understand the intricacies of each rhythm to become an expert.  Because Alseny Soumah, my master teacher, is training me to become a teacher, familiarizing myself intimately with the rhythms is absolutely necessary.

Read more about Joti’s experience at Camp Fareta and her apprenticeship with Alseny Soumah on the Alliance’s website.

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The Alliance Congratulates Mestranda Márcia Treidler!

Earlier this month, KQED, Kaiser Permanente and Wells Fargo honored and recognized Mestranda Márcia Treidler with a Latino Heritage 2007 Local Hero Award.

Mestranda Márcia Treidler is the founder and artistic director of ABADÁ-Capoeira San Francisco, a former grantee in ACTA’s Living Cultures Grants Program.  A 25-year veteran student of Mestre Camisa and one of the first women in the capoeira world to earn the title of Mestranda, Márcia founded ABADÁ-Capoeria San Francisco in 1991 when she was a recent immigrant from Rio de Janeiro, Brazil.

ABADÁ-Capoeira San Francisco was established to expand capoeira outside of Brazil and is dedicated to preserving, developing, and sharing the art with integrity, using capoeira as a vehicle to improve and enrich disadvantaged communities and the lives of people from all backgrounds.

To read more about Mestranda Márcia’s recent award, please visit KQED’s website. To learn more about ABADÁ-Capoeria San Francisco, please visit their website.

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Inland Empire and San Joaquin Valley: Take the California Cultural Census!

Take the California Cultural CensusThis summer, the James Irvine Foundation is taking stock of the cultural activities of residents in two regions of California—the San Joaquin Valley (from Bakersfield to Stockton) and the Inland Empire (Riverside and San Bernardino Counties). The foundation will use the results of this research to consider how best to support arts and culture in these regions in the future. The Alliance for California Traditional Arts is working as the local partner on the study organized by WolfBrown.

The California Cultural Census is a public survey that explores the types of arts and cultural activities that people like to do. The survey takes about 10 minutes to complete. At the end of the survey, you may enter yourself into a drawing to win a $500 cash prize. The survey is available both online and in paper format, and in both Spanish and English. To take the survey online, visit their website. To request a paper version of the survey, email Shannon Hunter, Census Coordinator, or call (559) 237-9811.

It is important that the results of the survey reflect the richness and diversity of your community. Please help us spread the word by forwarding this invitation to participate in the California Cultural Census to your network of friends and colleagues in the San Joaquin Valley and the Inland Empire.

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Last Chance to Chip In for the Alliance’s New Video Camera

Last month we launched a first-ever fundraising campaign in The New Moon—asking you for help in raising $3,028 to buy a new video camera so our staff can take great video of the exceptional artists and organizations we work with.

Today we’ve reached 75% of our goal—with a total of 48 supporters giving $2,280! Donations have ranged from $5 to $250.  Thank you for supporting cultural democracy!

We’re thinking about this project as a potluck—we’d like as many people as possible to contribute, as we’ll be putting these donations to use through use of this camera over the years.

We’ve created a ChipIn.com webpage that makes it easy and convenient for you to make your contribution online. To donate visit ACTA’s ChipIn.com webpage. Some people may prefer to send checks in the mail directly to the Alliance at 1245 Van Ness Avenue, Fresno, CA, 93721.

We’re extending our deadline for one more week until September 18, 2007. We’re just $748 short of our goal. We hope that you'll give every consideration to this effort to support our work in documenting the great work of California's traditional artists.

Sincerely,

Amy Kitchener
Executive Director

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Funding

Alliance for California Traditional Arts' Traditional Arts Development Program

Deadline: Ongoing

ACTA’s Traditional Arts Development Program makes contracts up to $1,500 to support consultancies, mentorships, and travel opportunities that foster a new level of growth for individual folk & traditional artists and organizations engaged in this field in California. Requested services may be focused on organizational, program, and/or artistic development goals. Individual artists and cultural practitioners, as well as organizations, whether incorporated or not, may apply.

A sampling of past contracts include:

Artistic Mentorships

Gen Taiko (San Francisco), an organization dedicated to promoting, preserving and presenting Japanese traditional arts including taiko (traditional Japanese drumming), traditional folk dance, and folk song forms. Its artistic director, Melody Takata, was trained by National Heritage Fellow Madame Fujima Kansuma to learn the Nihon Buyo (Japanese classical) dance called Kojo No Tsuki (Moonlit Castle Ruins). Ms. Takata taught the dance to four of her students and performed it at Gen Taiko’s 10th Anniversary Concert in November 2005.

Organizational Consultancies:

Kwashi Amevuvor (Los Angeles), a master drummer from Ghana, West Africa, worked with consultant Janet P***t, who assisted him with marketing and web design to develop professional promotional materials to publicize the work of the artist and the traditional cultural arts of Ghana. In addition, Ms. P***t’s consultancy supported Mr. Amevuvor’s efforts in organizing a cultural study tour of Ghana.

Travel Opportunities

The Eszterlánc Hungarian Folk Ensemble (Foster City) traveled to Southern California to perform for an audience of over two thousand at the annual Magyar Sajtónap (Hungarian Press Day) hosted by the newspaper California Hungarians. At this event Eszterlanc dancers had the opportunity to perform with members of the Karpatok Folk Ensemble of Southern California, which is led by Istvan Szabo.

Requests for organizational consultancies, artistic mentoring, and travel support may be submitted to ACTA at any time.  Download the application and application instructions from ACTA’s website or call (559) 237-9812 to request a copy be mailed to you.

ACTA’s Traditional Arts Development Program is supported by grants from the California Arts Council, the Walter and Elise Haas Fund, and the National Endowment for the Arts.

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L.A. Treasures Award

Deadline: Ongoing
Restricted to Los Angeles County

The California Traditional Music Society (CTMS) and the City of Los Angeles Department of Cultural Affairs (DCA) have announced the "Elaine Weissman L.A. Treasures Awards".  This program supports folk and traditional performing and visual artists with $1,000 in funds for two public performances, workshops or exhibits - one planned by the award recipient, another chosen by DCA and CTMS.

The Awards are named after Elaine Weissman, founder of CTMS and great promoter and supporter of folk and traditional arts, who passed away last year.

An average of three L.A.Treasures Awards are given each month. For more information visit the California Traditional Music Society's website.

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The Guitar Center Music Foundation

Deadline: Ongoing

The Guitar Center Music Foundation’s mission is to aid nonprofit music programs across America that offer music instruction so that more people can experience the joys of making music.

The Guitar Center Music Foundation accepts grant applications throughout the year from 501(c)(3) organizations that offer music instruction programs to participants of any age. The applicant program must successfully enhance the state of music education in the United States. The Grant Committee reviews all applications three times yearly, and grant awards range from $500 to $5,000.

For more information visit the Guitar Center Music Foundation’s website.

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Choreographers in Mentorship Exchange

Deadline: October 1, 2007
Restricted to San Francisco Bay Area and Southern California

A project of the Margaret Jenkins Dance Company, Choreographers in Mentorship Exchange (CHIME) is a mentorship program for professional choreographers that provides grants and cost-free studio time to support an exploration between artists interested in learning from one another.

CHIME continues its mission in the San Francisco Bay Area with its fourth year of mentorship support, while expanding its reach with a one-year pilot program in Southern California, through the generous support of The Irvine Foundation.

Interested applicants are strongly encouraged to attend an informational meeting, being held in San Francisco and Southern California.

For more information, including information meeting schedules, guidelines, and application forms, visit the Margaret Jenkins Dance Company’s website.

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GRAMMY Foundation Grants

Deadline: October 3, 2007

The GRAMMY Foundation is accepting applications for $10,000 to $40,000 grants for archiving and preservation projects. Projects ready for preservation implementation may be granted $10,000 to $40,000. Planning, assessment, and/or consultation projects may receive between $5,000 and $10,000.

Applications are due October 1, 2007, and the updated forms and guidelines must be used. A 90-minute conference call with GRAMMY Foundation staff will be held in August to answer any potential questions. Questions will be petitioned for in advance and answered during the call. Applicants are encouraged to attend.

For more information, including downloadable guidelines and applications, visit the GRAMMY Foundation’s website.

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San Francisco Arts Commission
Cultural Equity Grants – Level One

Deadline: October 15, 2007
Restricted to San Francisco

Cultural Equity Grants (CEG) to support the development, sustainability and growth of San Francisco arts organizations that are deeply rooted in, and able to express the experiences of, historically underserved communities, such as African American, Asian American, Latino/a, Native American, Pacific Islander, Disabled, Lesbian/ Gay/ Bisexual/ Transgendered and Women.

CEG – Level One makes grants of up to $25,000 to support organizational development initiatives for a period of one year.

For more information, including guidelines and application forms, visit the San Francisco Arts Commission’s website.

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Opportunities & Resources

Best Practices Series

San Francisco Grants for the Arts and The San Francisco Foundation host a series of community-designed workshops that will serve as a forum for sharing ideas about how arts organizations, large and small, can learn from each other.

Best Practices Series are free and held at The San Francisco Foundation, 225 Bush Street, 5th Floor, San Francisco, but space is limited.  Please RSVP to Nicole DuPont via email

Cell Phones Encouraged: Staying Current with Technology
Thursday, September 20, 2007
4:00 pm – 6:00 pm

For more information visit The San Francisco Foundation’s website.

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22nd Annual California Indian Conference & Gathering

Friday, October 26, 2007
Saturday, October 27, 2007
University of California, Davis

Hosted by the UC Davis Department of Native American Studies. Sponsored by the UC Davis Division of Humanities, Arts and Cultural Studies; UC Davis Division of Social Sciences; UC Davis Medical Center; UC Davis Department of Native American Studies, UC Davis Department of Linguistics; Federated Indians of Grayton Rancheria; and Middletown Rancheria.

For more information visit the conference website.

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Online Training Course to Master Proposal Writing

The Foundation Center is hosting an online training course, titled Proposal Writing: The Statement of Need, to help grantseekers develop skills in constructing a compelling statement of need. The course includes interactive exercises and assignments, case studies, a final exam, and a printable certificate of completion. Lessons can be taken at any pace, and can be reviewed often. For more information visit the Foundation Center’s website.

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FEATURES

What's New

Funding

Events

Opportunities & Resources

ABOUT ACTA

The Alliance for California Traditional Arts strives to "ensure California's future holds California's past" by providing programs and services to support the state's diverse living cultural heritage. The Alliance cultivates the growth of traditional arts and culture through Stewardship, Services to Artists, and Connection-Making.

Support ACTA

CONTACT ACTA

Website:
http://www.actaonline.org

Staff:
Amy Kitchener, Executive
Director
akitch@actaonline.org
559.237.9813

Sherwood Chen, Associate Director
sherwood@actaonline.org
415.561.1562

Lily Kharrazi, Living Cultures Grants Program Manager
lilyk@actaonline.org
415.561-7893

Suzanne Hildebrand, Administrative Coordinator
The New Moon Editor stoler@actaonline.org
559.237.9812

BOARD OF DIRECTORS

Robert Arroyo, V.P. of Finance & Administration
Retired Instructor of Political Science & Chicano/Latino Studies, Fresno City College;
Retired Administrator, Fresno City College
Kingsburg, CA

Melanie Beene
Principal, Melanie Beene & Associates
San Francisco, CA 

Jo Farb Hernandez, Secretary
Director, Natalie and James Thompson Art Gallery, School of Art and Design, San Jose State University
Principal, Curatorial and Museum Management Services
Watsonville, CA

Joel Jacinto,
Executive Director, Search to Involve Pilipino Americans
Los Angeles, CA

Sojin Kim, Ph.D.
Curator, Japanese American National Museum
Los Angeles, CA

Amy Kitchener (ex officio)
Executive Director, ACTA
Fresno, CA

Frank LaPena
Professor Emeritus, American Indian Studies, CSU Sacramento;
Traditional Maidu dance master; Visual Visual Artist
Sacramento, CA

Malcolm Margolin
Founder and Publisher, Heyday Books
Executive Director, Heyday Institute
Berkeley , CA

Libby Maynard
Co-founder and Executive Director, Ink People Center for the Arts
Eureka, CA 

Chike Nwoffiah, V.P. of External Development
Executive Director, Oriki Theatre
Mountain View, CA

Peter Pennekamp, Executive Director
Humboldt Area Foundation
Bayside, CA

Charlie Seemann, Board President
Executive Director, Western Folklife Center
Elko, NV

Daniel Sheehy, Ph.D.
V.P. of Governance
CEO, Smithsonian Folkways Recordings
Washington, D.C.

Deborah Wong, Ph.D.
Professor of Music
University of California, Riverside

Honorary

Bess Lomax Hawes
Retired Former Director, Folk & Traditional Arts Program, National Endowment for the Arts
Woodland Hills, CA

FUNDERS

California Arts Council

National Endowment for the Arts

The Fund for Folk Culture

The James Irvine Foundation

Walter & Elise Haas Fund

William and Flora Hewlett Foundation

California End

The San Francisco Foundation

EVENTS

Weavings of War: Fabrics of Memory

Woven Witness: Afghan War Rugs and Afghan Freedom Quilt

Landscaping America: Beyond the Japanese Garden

Evolution of the ‘Ukulele: The Story of Hawaii’s Jumping Flea

Kumeyaay: Indigenous People of Southern California

Berkeley Old Time Music Convention

Voces de las Américas

El Grito

Gamelan Burat Wangi

Corazon de Mexico 2007

Yuri Yunakov & His Romani Wedding Band

Tamejavi Cultural Festival: Hands the Forge History

Gamelan Sekar Jaya

Target Feria de la Familia

15th Annual Thai Cultural Day

The 8th Annual San Francisco World Music Festival

2007 San José International Mariachi Festival & Workshops

India Jazz Progressions

Carolina Lugo’s Brisas de España Flamenco Dance Company 10th Anniversary Concert

Ifugao Music & Dance Ensemble of Banaue

A Taste of Folk Music: A Free Folk & Bluegrass Music Festival

Bunraku: The National Puppet Theatre of Japan

Un Zaptateado Chicano

LIKHA 15th Anniversary Show and Expo

The 13th Annual California Indian Storytelling Festival

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