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In this issue:
Thank you for subscribing to New and Noteworthy, a CSO e-newsletter providing periodic updates on the exciting activities of the Chicago Symphony Orchestra, Chicago Symphony Chorus, and the Civic Orchestra of Chicago, along with news of the many special events taking place throughout the year at Symphony Center. We hope you enjoy it – and if so, that you will pass it on to others and encourage them to subscribe as well by going to www.cso.org/email and checking the "New and Noteworthy" e-mail group.



Is Music Dangerous?

The launch of the Chicago Symphony Orchestra’s new Beyond the Score concert series last November was a resounding success! Wynne Delacoma of the Chicago Sun-Times called Beyond the Score “a winner” and John von Rhein of the Chicago Tribune thought it a “common ground on which newbies and seasoned concertgoers can meet, learn and be entertained.”

The series continues on Sunday, January 29 at 3:00 p.m., exploring Shostakovich’s Symphony No. 4 and asking the question: is music dangerous? Find out why this symphony was mysteriously withdrawn shortly before its premiere in Stalin’s Soviet Union and what the Soviet government found threatening about this work. Or was it Shostakovich himself who withdrew it because he feared for his life?

Curated by musical scholar and Russian music expert Gerard McBurney, using narration, film clips and live musical samples, this innovative program gives audiences the opportunity to fully explore a piece of music with all its hidden meanings and historical, social and political context during the first half of the concert. Following intermission, the Chicago Symphony Orchestra performs the full work.

“I am very fired up by this project,” said Mr. McBurney, “and feel that we could produce something of stunning and heart-breaking beauty.”

Dmitri Shostakovich wrote his Symphony No. 4 in a Soviet Union that was darkened by the shadow of Josef Stalin’s oppressive government. In that political climate, music played an essential role, expressing the ideas and feelings of a people who otherwise had no voice. The audience will journey with Mr. McBurney and the Chicago Symphony Orchestra into the Soviet Union during the 1930s for an in-depth look at Stalin’s despotic rule, as well as the fear and resentment that rule inspired in the Soviets. Read more...

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Jazz with Wynton Marsalis



A Symphony Center tradition for years, Wynton Marsalis and the Lincoln Center Jazz Orchestra return to Chicago for their annual Orchestra Hall residency later this month, with a Jazz at Symphony Center performance offered on Friday, January 27 at 8:00 p.m. and a Saturday morning Jazz for Young People™ education program on January 28 at 11:00 a.m.

Composed of fifteen of the finest jazz soloists and ensemble players on stage today—led by superstar trumpeter Wynton Marsalis—the world-renowned Lincoln Center Jazz Orchestra is the resident orchestra of Jazz at Lincoln Center, the world’s largest not-for-profit arts organization dedicated to jazz.

At Orchestra Hall on Friday night, the orchestra will explore the works of John Coltrane, particularly his landmark composition A Love Supreme, along with works by Duke Ellington, Charles Mingus and other acclaimed jazz composers. Read more...

The following morning, Mr. Marsalis untangles the joyful sounds of New Orleans jazz in his Jazz for Young People™ program for children ages 5 and up. Joined by members of the Lincoln Center Jazz Orchestra, he explores the melting pot of music that gave rise to jazz in an engaging narrated program. Read more...

Jazz musician, trumpeter, composer, bandleader, advocate for the arts, and educator, Wynton Marsalis has helped propel jazz to the forefront of American culture. He has received nine Grammy® Awards—and is the only artist to receive them in both classical and jazz music—he is the first jazz musician to win a Pulitzer Prize, and he holds honorary degrees from universities including Columbia, Brown, Princeton and Yale. In 1987 Mr. Marsalis co-founded the jazz program at Lincoln Center and he has been music director of the Lincoln Center Jazz Orchestra since its inception.

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Just Added for February: Flamenco Great Vicente Amigo



Symphony Center has just added one of Spain’s most celebrated flamenco guitarists, Vicente Amigo, to its February 2006 concert lineup, offering a special concert on Tuesday, February 7 at 8 p.m. This performance is part of the Instituto Cervantes de Chicago’s Flamenco 2006 annual festival and marks Mr. Amigo’s first performance at Symphony Center since he made his Chicago debut here in 2002.

In 1991, Mr. Amigo’s debut solo album De Mi Corazon al Aire led to Guitar Player magazine naming him Best International Flamenco Guitarist. He has since won four Premios de la Musica (Spanish Grammy) Awards and a Latin Grammy Award. His latest recording, Un momento en el sonido, was released in April 2005 on the BMG label. Accompanied by musicians including Tino DiGeraldo and Joan Albert Amargós, Mr. Amigo explores a variety of musical styles on the album—bulerías, soleá, tangos and rumbas, to name a few—showcasing both his capacity for musical evolution and the artistic integrity he for which he is known. Read more...

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John Adams in Chicago

The Chicago Symphony Orchestra, led by conductor Esa-Pekka Salonen, will perform renowned American composer John Adams’ Naive and Sentimental Music as part of subscription concerts offered at Symphony Center on Thursday, February 19 at 8:00 p.m., Friday, February 20 at 1:30 p.m., Saturday, February 21 at 8:00 p.m., and Sunday, February 22 at 3:00 p.m.

Mr. Adams is the inaugural recipient of the Michael Ludwig Nemmers Prize in Musical Composition, a biennial award administered by the Northwestern University School of Music. Naive and Sentimental Music has been programmed on these CSO concerts to coincide with his year long Chicago residency at Northwestern University.

Mr. Adams will participate in a special pre-concert lecture with CSO Mead Composer-in-Residence Augusta Read Thomas on Thursday, January 19 at 7:00 p.m. Admission is free with that day’s Chicago Symphony Orchestra concert ticket. Joining Naive and Sentimental Music on this set of programs will be Mozart’s Horn Concerto No. 4 with CSO Associate Principal Horn Daniel Gingrich as soloist, and Sibelius’ Symphony No. 5. Read more...

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CSO Welcomes New Musicians

The Chicago Symphony Orchestra looks forward to welcoming two new faces to the stage of Orchestra Hall with the additions of Eugene Izotov (Principal Oboe) and Susanna Drake (Assistant/Utility Horn) to its roster.

Ms. Drake joins the CSO on January 23, 2006. She comes to Chicago having performed regularly as a freelancer with the San Francisco Symphony, LucasArts Productions, the California Symphony, and the Santa Rosa Symphony.

Mr. Izotov begins his new position with the CSO next September at the start of the Orchestra’s 2006-2007 season. Mr. Izotov comes to Chicago from the Metropolitan Opera Orchestra, where he has served as Principal Oboe since 2002. Before joining the Metropolitan Opera Orchestra, Mr. Izotov was Associate Principal Oboe of the San Francisco Symphony from 1996 to 2002, and Principal Oboe of the Kansas City Symphony from 1995 to 1996.

Welcome Eugene and Susanna!

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Civic Orchestra’s Free Master Classes



Conductor Alan Gilbert leads the Civic Orchestra of Chicago in selected movements from Beethoven’s Symphony No. 3 in the first of a series of three Civic Orchestral Master Classes on Saturday, January 14 at 1 p.m. For the first time this season, in addition to its ongoing schedule of free orchestra concerts presented at Symphony Center, the Civic Orchestra will open three of its rehearsals to the public, sharing the preparatory process of an orchestra under the leadership of esteemed conductors with the audience.

Founded in 1919, the Civic Orchestra of Chicago is the only training orchestra affiliated with a major American orchestra, the Chicago Symphony Orchestra. The principal goal of the Civic Orchestra program is to recruit a diverse group of gifted pre-professional musicians, train them at the highest level as orchestra players, and further develop skills of advocacy and mentoring which are essential to the role of orchestral musicians in communities, now and in the future. Members of the Civic Orchestra present numerous free full-orchestra concerts at Symphony Center and chamber concerts throughout the Chicago area each season.

The Master Classes are free, but tickets are required and are available through PhoneCharge at 312-294-3000, CSO’s Web site at www.cso.org, or the Symphony Center Box Office. Read more...

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Afterwork Masterworks



Following the success of its first Afterwork Masterworks concert series in 2004-2005, the Chicago Symphony Orchestra once again offers its rush-hour performances in 2005-2006, featuring CSO concerts with a shorter, more casual format. Come right after work, or right from home, to a stress-free, early and affordable concert.

The Afterwork Masterworks series continues with a program of music by Copland and Dvořák on Wednesday, January 11 at 6:30 p.m. Alan Gilbert, music director of the Santa Fe Opera and chief conductor and artistic advisor of the Royal Stockholm Philharmonic Orchestra, leads the CSO and internationally acclaimed bass Kevin Deas in a 90-minute, no-intermission concert of Dvořák's Symphony No. 7 and Copland's Old American Songs.

The third Afterwork Masterworks concert of this season is on Wednesday, February 8 at 6:30 p.m. with guest conductor David Robertson leading the CSO in music by Beethoven and Sibelius.

Guests can learn more about the music with pre-concert commentary; following each Afterwork Masterworks program, concertgoers are invited to stay and mingle at an informal Q&A session with guest artists and CSO musicians in Symphony Center’s Grainger Ballroom, hosted by Marc Geelhoed, classical music writer for Time Out Chicago. Read more...

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Happy Birthday Mozart!

January 27, 2006 marks the 250th anniversary of Mozart’s birthday. To celebrate, the Chicago Symphony Orchestra has programmed an extended list of favorite Mozart works in January and following months.

Find all the programs that include Mozart here.

But Orchestra Hall is not the only place where you will find this brilliant Austrian composer this year: the Symphony Store carries many Mozart-related items; from Mozart CDs to Mozart socks, from Mozart coasters to, yes, Mozart action figures!

Stop by the symphony store at 220 South Michigan Avenue, just north of Orchestra Hall, or visit us online at www.cso.org/symphonystore. Shop for CSO memorabilia, books, CDs, DVDs, posters, toys, and apparel. Whether you are looking for a rare CSO recording to fill out your collection or for unique holiday gifts, the Symphony Store can help.

Remember, all purchases from the store support the Chicago Symphony Orchestra. Store hours: Monday – Saturday, 10 a.m.-6 p.m. and Sunday, 12 noon - 6 p.m. On concert evenings, the store stays open until 30 minutes after the performance.

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Symphony Center, home to the Chicago Symphony Orchestra, offers more than 200 concerts of the finest classical, jazz, world music and family programs each year from September through June. For a complete list of the 2005-2006 season offerings, please go to www.cso.org.

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